Black Heritage in Horror: An Interview with Sumiko Saulson

Sumiko Saulson is an award-winning author of Afrosurrealist and multicultural sci-fi and horror. They are the editor of the anthologies and collections Black Magic Women, Scry of Lust, Black Celebration, and Wickedly Abled. Ze is the winner of the 2016 HWA StokerCon "Scholarship from Hell", 2017 BCC Voice "Reframing the Other" contest, 2017 Mixy Award, 2018 AWW "Afrosurrealist Writer Award," 2020 HWA Diversity Grant recipient.  They have an AA in English from Berkeley City College, and write a column called "Writing While Black" for a national Black Newspaper, the San Francisco BayView, are the host of the SOMA Leather and LGBT Cultural District's "Erotic Storytelling Hour." and the Social…

Black Heritage in Horror: An Interview with Steven Van Patten

Steven Van Patten is the author of the celebrated Brookwater’s Curse vampire trilogy, and the Killer Genius serial killer series. He’s also co-author of Hell at The Way Station, which won Best Anthology and Best in Science Fiction at the 2019 African American Literary Awards. Numerous short stories have been published in over a dozen anthologies and he’s a contributing writer/consultant for the YouTube channel Extra History as well as the Viral Vignettes series. He’s a member of the New York Chapter of The Horror Writer’s Association, The Director’s Guild of America, and professional arts fraternity Gamma Xi Phi Incorporated.…

Black Heritage in Horror: An Interview with Tananarive Due

TANANARIVE DUE (tah-nah-nah-REEVE doo) is an award-winning author who teaches Black Horror and Afrofuturism at UCLA. She is an executive producer on Shudder's groundbreaking documentary Horror Noire: A History of Black Horror. She and her husband/collaborator, Steven Barnes, wrote "A Small Town" for Season 2 of Jordan Peele’s "The Twilight Zone" on Paramount Plus, and two segments of Shudder’s anthology film Horror Noire. A leading voice in Black speculative fiction for more than 20 years, Due has won an American Book Award, an NAACP Image Award, and a British Fantasy Award, and her writing has been included in best-of-the-year anthologies.…
Black Heritage in Horror: Interview with Nicole Givens Kurtz

Black Heritage in Horror: Interview with Nicole Givens Kurtz

Nicole Givens Kurtz, Publisher. Educator. Author. Mom. Nicole loves reading, writing, and anime. She enjoys reading works that promote women of color and futuristic settings. She also loves a good mystery. She started Mocha Memoirs Press to provide more diversity in speculative fiction. She’s also a scribbler of tales. She's the recipient of the Ladies of Horror Grant (2021), the Horror Writers Association's Diversity Grant (2020) and the Atomacon Palmetto Scribe Award-Best Short Story 2021. She's been named as one of Book Riot's 6 Best Black Indie SFF Writers and editor of Slay: Stories of the Vampire Noire. What inspired…

Black Heritage in Horror: Interview with Jim Potts

Jim Potts, JD is a lawyer and author with a B.A. and Juris Doctorate Degree. He is a former Reserve Captain, a P.O.S.T. Certified Terrorist Investigator, a member of the Open Source Intelligence Team, and was with the Los Angeles County Sheriff’s Department for twenty years, achieving the rank of Captain. Potts is a certified Mediator through the Los Angeles County Bar Association and a former Master Teacher for the University of Phoenix (Southern California Campus), having taught undergraduate and graduate levels. His course curriculums included United States Constitutional Law, Criminal Law, Criminal Procedure, Ethics, Business Law, and Employment Law.…

Black Heritage in Horror: Interview with Tenea D. Johnson

Tenea D. Johnson is a multimedia storyteller, musician, editor, arts & empowerment entrepreneur, and award-winning author of 7 speculative fiction works, including 2021’s releases, Frequencies, a Fiction Album and Broken Fevers, of which Publisher’s Weekly wrote “the 14 hard-hitting, memorable short stories and prose vignettes in this powerhouse collection … are astounding in their originality” (starred review). Her debut novel Smoketown won the Parallax Award for excellence in a speculative fiction work by a person of color while R/evolution earned an honorable mention that year as well. What inspired you to start writing? I don’t know that I was ever…

Black Heritage in Horror: Interview with Nzondi

Nzondi (Ace Antonio Hall) is an American science fiction and horror author. His novel Oware Mosaic won the Bram Stoker Award for Superior Achievement in Young Adult fiction. His latest novel, Lipstick Asylum, won Book of the Year and Thriller of the Year awards from SW Book Reviews. It also received a 5-star rating from Readers’ Favorite. Among his many short stories that were published in anthologies and print magazines, Hall’s short story, “Raising Mary: Frankenstein”, was nominated for the 2016 horror story of the year for the 19th Annual Editors and Preditors Readers Poll. Additionally, three of his short…

Black Heritage in Horror: Interview with Michelle Renee Lane

Michelle Renee Lane holds an MFA in Writing Popular Fiction from Seton Hill University and recently joined the faculty of the Speculative Fiction Academy. She writes dark speculative fiction about identity politics and women of color battling their inner demons while fighting/falling in love with monsters. Her work includes elements of fantasy, horror, romance, and erotica. Her short fiction appears in several anthologies and has been featured on The Wicked Library podcast. Her Bram Stoker Award nominated debut novel, Invisible Chains, is available from Haverhill House Publishing. Her nonfiction can be found at Medium, Speculative Chic, and in Writers Workshop…

Black Heritage in Horror: Interview with Marc L Abbott

Marc L Abbott is the award-winning author of Hell at the Way Station and Hell at Brooklyn Tea. He resides in Brooklyn, NY. What inspired you to start writing? It goes back to grade school. One of the things I always loved was creative writing. A lot of times our teachers would have us take weekly vocabulary or spelling words and as a homework assignment, write a short story using them. It was the one assignment I always excelled in. I remember in 4th grade we had a teacher who would read us a chapter each week from a Hardy…

Black Heritage in Horror: Interview with L. Marie Wood

L. Marie Wood is an award-winning psychological horror author and screenwriter. She won the Golden Stake Award for her novel The Promise Keeper. Her screenplays have won Best Horror, Best Afrofuturism/Horror/Sci-Fi, and Best Short Screenplay awards at several film festivals. Wood’s short fiction has been published in groundbreaking works, including the Bram Stoker Award Finalist anthology, Sycorax's Daughters. She is also the founder of the Speculative Fiction Academy, a professor, and horror scholar. What inspired you to start writing? I have always wanted to write. My earliest memories are of me thinking about a story and writing it down. As…

Black Heritage in Horror: Interview with Penelope Flynn

Penelope Flynn creates mixed genre adult-targeted speculative fiction and illustrations featuring elements of dark fiction, horror, suspense, science fiction, fantasy, and erotica and erotic romance. Her works are included in the Dark Universe anthologies, Steamfunk, Scierogenous II, and SLAY: Stories of the Vampire Noire. She authors the Sci-Fi/Horror/Erotica mash-up series, the Chronicles of Renfields, and co-edits and contributes to the Blerdrotica, Black erotica anthology series. She is a member of the Horror Writer’s Association and has joined the faculty of the Speculative Fiction Academy. She has appeared on panels for World Fantasy Con, WorldCon, MultiverseCon, Blacktasticon and the FAMU Literary…

Black Heritage in Horror: Interview with Maurice Carlos Ruffin

Maurice Carlos Ruffin is the author of The Ones Who Don’t Say They Love You, which was published by One World Random House in August 2021. It is a New York Times Editor’s Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and one of Electric Lit’s Best Books of the Year. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. It was longlisted for the 2021 DUBLIN Literary Award, the Center for Fiction Prize, and the Aspen Words Literary…

Black Heritage HWA interview series: Introduction by Linda D. Addison

Black History Month is the annual recognition of African-Americans and their role in U.S. past and present history. As our country celebrates the achievements of Black Americans other countries are also devoting a month to shining light on Black history. Our part in every area of America now and in the past is still being discovered, still expanding. This country is built by a wide variety of people from different cultures, and just as horror fiction has many sub-genres, Black horror writers are not defined by one type of writing. From gothic through paranormal, supernatural, weird and so on, Black…

Interview with Winner of the Rocky Wood Scholarship 2018

Winner of the HWA’s ROCKY WOOD SCHOLARSHIP in 2018, Joe Maddrey has recently released the fruit of those labors with the release of Adapting Stephen King Volume I: Carrie, ‘Salem’s Lot and The Shining from Novel to Screenplay from McFarland press. What inspired you to tackle such an interesting topic? In a way, this book was an offshoot of two of my previous books. The first one was a biography of Stephen King, for which I read all of King’s published works. (Everyone says they’ve read all of King’s books… but they’re usually lying. I even made it through The…

Indigenous Heritage in Horror: Interview with Jewelle Gomez

Jewelle Gomez, (Cape Verdean/Wampanoag/Ioway) is a novelist, essayist, poet, and playwright. Her eight books include the first Black Lesbian vampire novel, The Gilda Stories (in print more than 30 years); which was recently optioned by Cheryl Dunye for a TV mini-series. Her work has appeared in numerous anthologies including: Luminescent Threads: Tribute to Octavia Butler, Dark Matter: A Century of Speculative Fiction from the African Diaspora, No Police Know Police, and Red Indian Road West. Her plays about James Baldwin and Alberta Hunter have been produced in San Francisco and New York. Her new collection of poetry, Still Water, will…

Indigenous Heritage in Horror: Interview with Daniel H. Wilson

Daniel H. Wilson is a Cherokee citizen and author of the New York Times bestselling Robopocalypse and its sequel Robogenesis, as well as How to Survive a Robot Uprising, The Clockwork Dynasty, and Amped. He earned a PhD in Robotics from Carnegie Mellon University, as well as Masters degrees in Machine Learning and Robotics. His latest novel is an authorized stand-alone sequel to Michael Crichton’s classic The Andromeda Strain, called The Andromeda Evolution. Wilson lives in Portland, Oregon. What inspired you to start writing? I fell in love with reading science fiction short stories as a kid. Eventually, I wanted…

Latinx Horror: Interview with V. Castro

Violet Castro was born in San Antonio, Texas to Mexican American parents. Since Violet was a child, she wrote short horror stories and was always fascinated with dark fiction beginning with Mexican folklore and the urban legends of Texas. At eighteen Violet left Texas for Philadelphia to attend Drexel University where she received her Bachelor of Science in Political Science and History. Violet now lives with her family in the U.K. writing and traveling with her children. She tries to return to the US twice a year to see her parents, three sisters and extended family. What inspired you to…

Latinx Horror: Interview with Sergio Gomez

Born in Mexico but raised in the United States, Sergio Gomez lives in Philadelphia with his family. He enjoys reading, martial arts, looking up recipes, cooking, but most of all writing. His favorite genres are horror and coming-of-age. Depending on the day and mood, his favorite superhero is either Batman or Hellboy. What inspired you to start writing? Ever since I was a kid, I’ve loved telling stories and making up worlds and characters in my head. Once I started reading “chapter books” in elementary school, I fell in love with the art form. I fell in love with the…