The Horror Writers Association (HWA) and the University of Pittsburgh Library System (ULS) are excited to announce a new chapter in their collaboration leading up to StokerCon. Building on their roles as Marquee Sponsor in 2023 and Raven Sponsor in 2024, the ULS has committed to a ground-breaking 10-year Legacy Sponsorship starting with StokerCon 2025.
The market is crowded, the rules of social media are constantly changing, and the logistics of building a catalogue are more complicated than ever. The good news, according to author Clay McLeod Chapman, is that time-tested strategies such as supporting other authors and finding a unique voice will still get the job done. In this month’s edition of Nuts & Bolts, he gives advice for beginning authors about getting their material in print.
Before he could create Vietnam veteran John J. Rambo in First Blood, thriller and horror author David Morrell had to find that pesky “ferret.” That’s how his mentor Philip Klass, aka legendary science fiction author William Tenn, used to describe it. Professor Klass, who’d taken David under his wing at Penn State University, used to say that if you’re a writer, a dominant emotion fuels your craft. No exceptions. It could be anger or joy. Sorrow or lust. Like it or not, you’re stuck with it because it’s an integral part of you. The professor compared it to a ferret rooting around in your psyche. Elusive. Ravenous. And worst of all, unwilling to be found.
Taking a creative writing course is a concept that some of Ray Cluley’s fellow authors seem to find puzzling. Even objectionable. If you’re calling yourself a writer, shouldn’t you already know how to write? Since it’s such a personal endeavor, how can it even be taught?
In this month’s edition of Nuts & Bolts, Ray discusses the full range of benefits from a creative writing course, and how even seasoned professionals can use one to hone their craft.
