Darren Shan Interviewed by Dave Jeffery
One of the big questions often asked by writers wanting to dip their toes in the waters of YA horror fiction is, “How far can I go?” We know this because members frequently ask this question on various HWA forums. It was certainly one of the queries that rattled around my head when thinking about my own projects back in the 80’s. I wished back then I could access the insights and experiences of established, successful YA writers and explore their views on the market, and what should or shouldn’t feature in a YA horror book. These days, the internet makes magical things happen, now we can ask those writers, especially when we have already surveyed members as to why they shy away from writing YA fiction. They tell us they need more information to make an informed decision.
It’s Scary Out There had a witchingly good time talking character, lore, and more with Sarah Rees Brennan, author of 
Shaky camcorders, baby monitors picking up paranormal activity, mysteriously unearthed videos—it’s no wonder found footage flourishes so well in cinematic horror. It’s visually compelling metafiction that doesn’t undermine audience immersion.
Young Horror brings you writing prompts to energize your week with spooky writing idea inspiration. Are you writing picture books, chapter books, middle grade, or YA? Your next great idea could be sparked right here.
Somewhere in the United States this moment, a large turkey—with glorious plumage, I would like to imagine—doesn’t know that he’s already been selected for presidential pardon for the American Thanksgiving holiday next week. In classrooms across the country, kids are consuming read-aloud picture books about other turkeys running from feast centerpiece fates. Many classroom games and educational activities are built to the theme of staving off the imminent death of the turkey—hide the turkey, disguise the turkey.
While I love supernatural horror, realistic horror stories—murders, kidnappings, unexplainable medical phenomena—are the ones that really keep me up at night. There’s something extra terrifying about a fictional story that can, and does, happen to people in real life, so it’s no surprise that authors draw inspiration for their horror (or suspense or thriller) novels from news stories. With a 24-hour news cycle and the Internet vortex, you won’t need to look too far for an idea to rip from the headlines.
Ever wonder why some books get the horror classification, while others—sometimes with similar plotlines and the exact same monsters—get labeled paranormal romance? The difference is easy—the former has the primary goal of scary, and the latter focuses on a romantic relationship (to the degree that the plots rely on it to function). The real question, then, concerns the tipping point between the two genres, the point at which your young adult novel is less terror and more
Just like any relationship, the special bond between a horror protagonist and her antagonist benefits from a little bit of mystery. In this case, the hero is a proxy for your readers, and the mystery comes from your story’s scariest villain, be it a human serial killer or a demonic creature or the mad scientist who, when left unattended for a few minutes, will inevitably create a horrific zombie plague.
There’s much handwringing in publishing for children about what is “right” or “appropriate.” There are many controversial subjects and editorial choices, but today we’re talking about endings. Do endings in books for children need to be happy? Or should writers of children’s books portray a realistic version of the world where things don’t always end well?
Last month’s 
With the popularity of dark comedies, it should be no surprise that horror and humor can be a compelling mix. However, when it comes to young adult books, few succeed at the balance that keeps a funny horror book from losing its edge or appearing to try too hard. Here are a few humorous elements used in YA horror to enhance the story, characters, or setting without sacrificing their horror-ness. 
Whether it’s the beeping of an alarm clock marking a night over too soon, a school buzzer announcing the start of a test period, or the chime of a grandfather clock in an old house declaring the start of the witching hour, there are lots of ways that time can provoke dread. So, when writers look no further than flashbacks and verb tenses, they miss out on timely tension opportunities.
Welcome back to SCARY OUT THERE, the Horror Writers Association’s new blog on scary fiction for teens. This week I sit down for a chat with Ellen Hopkins, the award winning author of nine NY Times bestselling young adult novels-in-verse, plus two adult verse novels. Before delving into fiction, Ellen was a poet, freelance journalist and nonfiction author, with twenty published nonfiction books for children. Ellen mentors other writers as the regional advisor for the Nevada chapter of the Society of Children’s Book Writers and Illustrators. She lives near Carson City, where she has recently founded Ventana Sierra, a 501(c)(3), to help youth-in-need into safe housing and working toward career goals through higher education, mentorship and the arts.
