Darren Shan Interviewed by Dave Jeffery
One of the big questions often asked by writers wanting to dip their toes in the waters of YA horror fiction is, “How far can I go?” We know this because members frequently ask this question on various HWA forums. It was certainly one of the queries that rattled around my head when thinking about my own projects back in the 80’s. I wished back then I could access the insights and experiences of established, successful YA writers and explore their views on the market, and what should or shouldn’t feature in a YA horror book. These days, the internet makes magical things happen, now we can ask those writers, especially when we have already surveyed members as to why they shy away from writing YA fiction. They tell us they need more information to make an informed decision.
It’s Scary Out There had a witchingly good time talking character, lore, and more with Sarah Rees Brennan, author of 
Shaky camcorders, baby monitors picking up paranormal activity, mysteriously unearthed videos—it’s no wonder found footage flourishes so well in cinematic horror. It’s visually compelling metafiction that doesn’t undermine audience immersion.
Young Horror brings you writing prompts to energize your week with spooky writing idea inspiration. Are you writing picture books, chapter books, middle grade, or YA? Your next great idea could be sparked right here.
Somewhere in the United States this moment, a large turkey—with glorious plumage, I would like to imagine—doesn’t know that he’s already been selected for presidential pardon for the American Thanksgiving holiday next week. In classrooms across the country, kids are consuming read-aloud picture books about other turkeys running from feast centerpiece fates. Many classroom games and educational activities are built to the theme of staving off the imminent death of the turkey—hide the turkey, disguise the turkey.
Just like any relationship, the special bond between a horror protagonist and her antagonist benefits from a little bit of mystery. In this case, the hero is a proxy for your readers, and the mystery comes from your story’s scariest villain, be it a human serial killer or a demonic creature or the mad scientist who, when left unattended for a few minutes, will inevitably create a horrific zombie plague.
There’s much handwringing in publishing for children about what is “right” or “appropriate.” There are many controversial subjects and editorial choices, but today we’re talking about endings. Do endings in books for children need to be happy? Or should writers of children’s books portray a realistic version of the world where things don’t always end well?
