Setting, The Other Character by Frazer Lee
Setting is such a vital component of any horror story, to the extent that the place in which the narrative is framed can become a central character. Take, for example, the eponymous building in Shirley Jackson’s 1959 novel The Haunting of Hill House, which she describes so chillingly as being “not sane.” Susan Hill’s 1983 ghost story The Woman in Black finds protagonist Arthur Kipps shacked up and shivering in Eel Marsh House, a haunted pile that is accessible only via the ominously named Nine Lives Causeway. In these narratives, the setting becomes an omnipresent, living (or un-dead) force to be…