“Horror and Academics Do Mix” By Nicholas Diak
It’s February 2009, and I’m sitting behind a table in a small conference room at the Albuquerque Hyatt. I’m knee deep into the masters program at the University of Washington, and I am presenting at my first academic conference, the South West Popular/American Culture Association. In the room are roughly fifteen other scholars, students, teachers, independent scholars and my thesis advisor, anxious to hear my topic: an analysis of Antonio Margheriti’s James Bond/Raiders of the Lost Ark knock off, Sopravvissuti della città morta aka Ark of the Sun God. My PowerPoint beams with pictures of David Warbeck winking, with bullet…
















