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Posts bynaching, Author at Horror Writers Association [ 98 ]

Asian Heritage in Horror Month: An Introduction by Ai Jiang

What does it mean to be API/AANHPI? I suppose I will take a more personal approach to this question, as it is definitely one that has persistently popped up throughout my life. For me, it has always been: what does it mean to be Asian, or more specifically in my case, Chinese? As a child, I was born and spent the early years of my life in China, and even after arriving in Canada, I experienced a more traditional Chinese upbringing at home while undergoing Westernized studies, settings, and culture while in school. I can read and write in pinyin for the most part and can speak and understand Mandarin. I understand but speak very little Fuzhounese, and my ability to recognize Chinese characters is poor.

Native Hawaiian and Pacific Islander Heritage in Horror Month: An Interview with Barb Jones

What inspired you to start writing?

Growing up in Hawaii as both a Hawaiian and Filipino, storytelling was a part of my life on my father’s side. Because I loved to tell stories that would scare my classmates, my teacher challenged me to put my stories on paper and to keep up with that challenge, she would submit my stories to different contests that the newspapers and other outlets would have. I haven’t stopped writing since.

Native Hawaiian and Pacific Islander Heritage in Horror Month: An Interview with Jason Tanamor

What inspired you to start writing?

I’ve always occupied my time with stories through various mediums like television or books. It was escapism for me. It wasn’t until I started watching the cartoon Super Friends that I began to imagine “what if?” type episodes. Like, what if Superman was flying during a solar eclipse? When the moon passes between the earth and the sun, would Superman lose his ability to fly during the obscuration since the yellow sun gives him his powers? What would that story look like? The inspiration comes from stories or narratives that don’t already exist.

NUTS & BOLTS: Interview With Ellen Datlow, Editor and Shaper of Multiple Genres

Over her long and influential career, editor and anthologist Ellen Datlow has played a major role in shaping not just the genre of horror, but fantasy and science fiction as well. During her pioneering stint as fiction editor at Omni magazine in the 1980s, she acquired and edited stories from writers including William Gibson, Octavia Butler, William Burroughs, and George R.R. Martin. Her Best Horror of the Year, on which she’s currently wrapping up the sixteenth volume, remains essential reading for anyone with a personal or professional interest in the genre. In this month’s edition of Nuts & Bolts, Ellen shares advice about the craft and business of short-story writing, geared especially toward beginning writers.

HWA SPECIALTY AWARD WINNERS ANNOUNCED

FOR IMMEDIATE RELEASE Columbus, OH – The Horror Writers Association (HWA) is pleased to announce the recipients of its Specialty Awards. These will be presented on June 1st, 2024, during the Bram Stoker Awards® Presentation at StokerCon®2024 in San Diego, CA.

LIFETIME ACHIEVEMENT AWARD WINNERS ANNOUNCED

FOR IMMEDIATE RELEASE Columbus, OH – The Horror Writers Association (HWA) is pleased to announce the recipients of its Lifetime Achievement Award. These will be presented on June 1st, 2024, during the Bram Stoker Awards® Presentation at StokerCon®2024 in San Diego, CA.

Lifetime Achievement Award The recipients of the HWA’s Lifetime Achievement Award for 2024 are:

Women in Horror Month 2024: An Interview with L.S. Johnson

What inspired you to start writing? I started reading at a very early age, and like many other writers, I was voracious. I was also a very introverted and anxious only child. Thus my earliest writing projects were fanfiction: taking scenes from my favorite books and rewriting them to include one of my characters as part of the group, as the love interest, as the hero. Of course, this was all before the internet, so it was a solitary exercise, just me and my notebooks, or just writing in my head at night. After a while, it became one of the ways I could get myself to sleep: imagining the words of a particularly immersive scene.

Going from the privacy of my mind to putting those words out in the world, however, was a much more fraught journey, tangled with working-class expectations, a poorly-timed MFA program, and years working in book production. It was only when I finally crashed from the stress of my publishing job that I started writing again, and all the years of reading and thinking about words (and missing those childhood stories) finally coalesced into a voice.

Women in Horror Month 2024: An Interview with Sarah Walker

What inspired you to start writing? Temporal lobe epilepsy inspired me to begin to write. I have temporal lobe epilepsy and the specific kind I have gives me constant anxiety. Things like heartbeat acceleration for no reason, shaking, memory disorders, and unwanted images in my head, (kind of like dreaming) and my favorite, not recognizing places or familiar faces that I should. It is not a pleasant feeling. It is distracting. It is also frightening. For a time, it ran me. I wasn’t able to do much other than get pummeled by my own bleeding brain. But then something magnificent happened. I learned early on that I could temper it if I did something creative. I discovered it was a ravenous electrical beast. It did not care what it did to me, it only wanted to be fed. It had no rhyme or reason. It was governed by things as hidden as the tide. When I accepted there was no cure, I started to understand that it would eat me unless I fed it. It needed to be occupied or it would turn on me. And writing or artwork seems to work best, plus it brings me joy like no other. I don’t understand it. But for some reason it all goes away as long as I do something creative, write, speak, paint. Things like that. As long as I feed it, I am let be.

What was it about the horror genre that drew you to it? I have always been attracted to dark imagery. I never was a ‘normal’ girl. I rode motorcycles and hiked around mountains and explored mines, and I remember feeling the breath of those mines and how it terrified me, but I remember how this kind of fear felt good. It silenced that real-world losing-my-mind fear that the stupid seizures caused. Growing up away from civilization I think also taught me to love horror. Anyone who has been out in those woods alone will begin to sense there are presences out there.

Women in Horror Month 2024: An Interview with Melissa Pleckham

What inspired you to start writing?Ever since I learned to read, writing has been a part of my life. As an only child, I often needed solitary ways to entertain and amuse myself, and I think writing gave me an outlet for my imagination that was easy to indulge in while alone in my bedroom. Instead of acting out scenarios with other kids via toys or games, I would write them down on paper. All of this is far less sad than it sounds, by the way — I still cherish my alone time!

What was it about the horror genre that drew you to it? I’ve always gravitated toward dark subject matter, even when I was very young. Part of this is because my parents would watch horror movies with me and tell me (allegedly…?) true ghost stories from their own childhoods, but I also think I have an innate inclination toward the macabre. I was officially hooked once I got my hands on all of the “gateway horror” titles a nascent ghoul could find at the typical Scholastic book fair in the late ‘80s and early ‘90s: Christopher Pike, RL Stine, Scary Stories to Tell in the Dark, and the (incredibly underrated) Tales for the Midnight Hour series.

Nuts & Bolts: Career Planning for Writers – Interview with Author and Editor Jennifer Brozek

Congratulations, you’ve achieved your dream of becoming a professional writer. Now what? According to author and editor Jennifer Brozek, that’s a question many beginning writers neglect to ask, let alone formulate an answer to. In this month’s edition of Nuts & Bolts, Jennifer talks about how proper career planning can go a long way toward ensuring your long-term success as a publishing professional.

Q: What factors should you consider when you're thinking of writing as a career? A: Most writers don’t start off thinking about a career in writing. If they do, they think of it in academic terms — as in that is what they have gone to school for. Once a writer has been writing and submitting their work for a while, they should have an honest conversation with themselves on what they want out of their career. What is their mountain? What are they striving for?

Women in Horror Month 2024: An Interview with L.C. Son

What inspired you to start writing? Well, I kept “borrowing” my brother’s comic books so much, I decided to start writing my own. I wasn’t too good at the comic style, but I adored fantasy, monsters, big battle scenes, and sharp teeth. I wanted to fuse Cinderella stories with Vampire Charmings and Lycan Lords. Still, it started as a hobby, until one day it wasn’t.

What was it about the horror genre that drew you to it? Michael Jackson’s Thriller started everything. I went from a young girl who wanted to watch Thriller because she loved to dance, to watch the extended, behind-the-scenes transformations of zombies and the wolfman, (including the An American Werewolf in London reference) to falling in love with the dark, sinister chortle of the late great Vincent Price. Plus, there was something criminally smooth (yes, pun intended) about watching Michael willfully lure his date out of the theater knowing full well it was a full moon. It was all so hypnotic that my five-year-old self knew that day I’d walk anywhere with the wolfman.

Women in Horror Month 2024: An Interview with Chloe Spencer

What inspired you to start writing? When I was a kid, I was a big reader. I used to check out 20-plus books from the library at a time. I read anything I could get my hands on across all kinds of genres, but the series that resonated with me the most were Erin Hunter’s Warriors, and Michelle Paver’s The Chronicles of Ancient Darkness series. At a time when a lot of books revolved around familial conflicts or were otherwise dominated by popular titles, these stories stuck out to me for the dark themes they explored, the brutal violence, and the dynamic character relationships. I’d read Wolf Brother and wished I could write something like it, and try, try, try, I did. My parents weren’t a big fan of me wasting paper, so they didn’t give me notebooks for that sort of thing; instead, they let me use the family computer and I taught myself how to type. And I just never stopped.

What was it about the horror genre that drew you to it?There are so many things that I love about the horror genre. I love how it tries to terrify, disturb, and thrill readers. I love its versatility, and how it can so effortlessly blend together with other genres. But I also think I love horror because oftentimes, at the core of these stories, there’s some level of tenderness to it. Like yes, a slasher can be about a guy slinging around a machete and chasing kids through the woods, but it can also be a story about how love and friendship triumph in the face of violence—I think Kalynn Bayron’s You’re Not Supposed to Die Tonight is a fabulous example of this. Horror is a genre that welcomes the uncomfortable, and as someone with PTSD, I enjoy having the freedom to explore my feelings, thoughts, and experiences in a “safe” environment.

Women in Horror Month 2024: An Interview with Kathleen McFall

What inspired you to start writing? First off, thanks so much for having me! I’m excited and honored to participate. Now, on to the question. I have written, in one form or another since I was a child. Early on, reactions from my parents, brothers, friends, and others to my little stories, poems, and (often non-sensical) snippets emerging from that long-ago child’s mind meant the world to me. I think those young experiences set a foundation for a creative life. Decades on, I’m still inspired by reader reactions, driven by imagining someone somewhere anywhere in the world reading what I’ve written and being moved by my words, shaping their world if even just for a few short minutes. It is such a high.

What was it about the horror genre that drew you to it? Horror allows for the exploration of thorny human issues within defined genre boundaries. Readers know, to varying degrees, what to expect. This means they can relax into the proxy paradigm knowing on a primal level that none of this is real—the monsters, vampires, zombies, the creepy humans are just enough removed from reality that scary (or controversial) topics can be addressed in thoughtful, memorable ways./p>

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