Learn more:
HWA Awards
Explore
- About
- HWA Publications
- Bram Stoker Awards®
- Horror U
- Our Members Online
- For Members
- Scholarships
- Members’ Books By Year
- Contact HWA
- More…
Halloween never seemed to be a big deal when I was a kid. I grew up in Florida during the mid-1960s, and recall maybe a week or so of festivities. We were able to wear our costumes to school for one day. One year, my folks arranged a party for me and my friends complete with a cookout and bobbing for apples and other games. After that, it was time to go out into the neighborhood and collect candy. The heat had abated somewhat by then, but the shiny synthetic of a store-bought costume trapped what remained, especially if you wore the full-face mask that usually came with it. One year I was a clown, another, a fortuneteller. Both came with masks. I still remember the smell of the plastic.
Merry meet all,
I live near the Mount Olivet cemetery with its own claim to fame. It is where the Titanic victims were buried. I often visit there, and stroll near the graves down a path littered with tree roots, dead leaves and rotted apples. Apple trees grow on the other side of the stone wall. Though the trees appear to grow in and out of the cemetery.
Dictation Lesson:
This Halloween, I decided to try out something new that had always scared me: dictation! I’ve wanted to try writing my books by speaking the words aloud and see if that would speed up my process, but I was always worried at how bad it would come out. This time, though, I was determined to make it work.
I was only twelve at the time, but I remember thinking that haunted house in The Enchanted Forest, a theme park our family happened upon during a family vacation, was the most terrifying experience I could encounter. The walk-through building had actors popping out at every turn, haunting audio-visual effects, and a final room that required its visitors to find an escape door in pitch darkness. The level of fear had bled from fun to uncomfortable, leaving me feeling unsettled but safe. I never expected the real terror that lay just ahead.
It’s February 2009, and I’m sitting behind a table in a small conference room at the Albuquerque Hyatt. I’m knee deep into the masters program at the University of Washington, and I am presenting at my first academic conference, the South West Popular/American Culture Association. In the room are roughly fifteen other scholars, students, teachers, independent scholars and my thesis advisor, anxious to hear my topic: an analysis of Antonio Margheriti’s James Bond/Raiders of the Lost Ark knock off, Sopravvissuti della città morta aka Ark of the Sun God. My PowerPoint beams with pictures of David Warbeck winking, with bullet points conveying that Ark of the Sun God challenges the baroque depictions of romantic relationships in action films…
And what did you see at the movies on Halloween? For me, with a screen time beginning at 11:59 last night at the IU Cinema, the midnight showing for All Hallow’s Eve was a strange one, the 1977 Japanese film HAUSU. And yes, it means “house.” It’s an “evil house” movie, but with a big difference. This one combines the expected tropes with a weird undercurrent of surrealism, including cartoons, a demon cat, telegraphed punches — all clearly intentional — even slapstick humor in a tale of seven schoolgirls’ summer outing at the home of one of the girls’ maiden aunt. EAn aunt she hadn’t seen since her grandmother’s funeral years in the past.
Halloween.
My earliest memories of our favorite holiday revolve around waiting impatiently in my homemade costume for the evening to get dark enough to go trick-or-treating. The frenzied rush from house to house with my friends, amassing our candy hoards in pillowcases, was fraught with laughter and squeals of childish terror during the spookiest night of the year.
As a professionally trained historian come horror writer, I recently reflected on my childhood and what created the writer inside of me. I concluded that some of the imagination that inspired that writer stemmed from my Halloween experiences as a child. So many horror fans loved Halloween growing up, and I was no exception. I thrilled at finding my costume, putting it on that night, and transforming myself into another being, thrusting myself into another reality, with the trick-or-treating as almost an afterthought.
The blending of cultures in New Orleans has left a myriad of different traditions ingrained in the eccentric psyche of the city. Perhaps the most profound occur around Halloween where the Catholic, Voodoo, Irish, and French influences converge. Celebrations for the dead begin days before the fall of Halloween. We have events such as the Day of the Dead Parade, numerous cemetery festivals, haunted houses, costume balls, and ghost tours to mark the creepiest day of the year. However, it’s the quieter and older traditions that are not as well known to outsiders.
Passing through the cemetery gates, I felt a strange calm juxtaposing to the hyperactivity of the city streets. The graveyard surpassed my expectations. It was huge — a vast expanse dating back hundreds of years. Autumn made itself known through a change in the air, a crispness, a different light from the overcast sky. This is the season of the witch, leading up to All Hallow’s Eve — once known as Samhain from the forgotten rites. All of my life I have been drawn to this time of year. The path underfoot was wide and lined with tombs. Leaves were beginning to change in hues of orange and red.