NOTABLE WORKS REVIEW: “Dream’s End” by Henry Kuttner and Catherine Moore
NOTABLE WORKS REVIEW: The Grief Hole by Kaaron Warren
NOTABLE WORKS REVIEW: Shards: A Mental Health Charity Anthology edited by Kara Hawkers and Emery Blake
NOTABLE WORKS REVIEW: “I’ll Be Gone By Then” by Eric LaRocca
NOTABLE WORKS REVIEW: “Survival Ritual” by John Edward Lawson
NOTABLE WORKS REVIEW: Welcome to the Black Parade
Holistic Horrors: EV Knight’s “The Flannigan Cure” from American Cannibal by L. E. Daniels
Halloween Haunts Blog: Call for Submissions

From October 1 through October 31, the Horror Writers Association will host an online event to celebrate the month of Halloween and help horror readers and horror writers connect at the eeriest time of the year.
All HWA members are invited to participate in this series of daily blog posts, book excerpts, and more. Halloween Haunts offers HWA members a place to share Halloween anecdotes and stories to connect with new readers, spread the word about members’ new works, and raise the profile of the horror genre and the HWA.
Interview with Pete Kelly, Poet-in-residence for the Dracula Society
Extended Request for Latinx Heritage Recommendations
Nuts & Bolts: Author Todd Keisling on Self-Advocacy for Writers

Nobody becomes a writer because they had childhood dreams of negotiating contracts. Like it or not, according to author Todd Keisling, it’s part of the job for authors without an agent. In this month’s edition of Nuts & Bolts, Todd talks about what authors – particularly beginners – should know about self-advocacy.
Nuts & Bolts: Interview With Magic Historian Anthony Grafton

The great thinkers of the Renaissance get plenty of credit for their indelible mark on art, science, and architecture. But maybe they don’t get enough credit for another field to which they made an enormous contribution – horror tropes. Demon-summoning rituals? Deals with the devil? Spellbooks full of dark secrets that must not fall into the wrong hands? All part of the legend surrounding Renaissance-era “magi,” who straddled the line between scientist and sorcerer, and who inspired literary accounts of Faust and Prospero. Anthony Grafton, a Princeton University history professor, tells their fascinating story in Magus, his study of Renaissance-era magic and its practitioners, which should provide plenty of inspiration for horror or fantasy writers who want to add an element of historical accuracy to their fictional sorcerers.
2024 Horror Writers Association Elections for Officers and Trustees

2024 Horror Writers Association Elections for Officers and Trustees
The HWA’s annual elections will soon be upon us. Up this year are four Trustee positions, as well as the offices of President and Secretary. Please read the statements of the following candidates carefully. Links to the ballot will be sent out on or around August 19, 2024 to our Active and Lifetime members, with a due date of August 25, 2024. The elected officers shall hold their respective offices for terms of two years, beginning on November 1 and ending on October 31.
Member Handbook – Public
THE INTERSECTION OF MENTAL HEALTH AND HORROR, Panel Report, StokerCon 2024, Saturday 1 June
SELF-CARE FOR HORROR WRITERS, 2024 StokerCon Virtual Panel Report
The Seers’ Table July 2024
WHAT WE CAN LEARN FROM GRIEF IN HORROR Panel Report, 2024 Virtual Stoker
A Point of Pride 2024: An Interview With J.P. Jackson

What inspired you to start writing?
I’ve always been a big reader. When I was in my teens, in the 80s, and figuring out who I was and my orientation, there weren’t any books that reflected me or guys like me. If there were gay characters they were side stories, often made out to be broken individuals, or mentally unstable, the first to die, or worse, the villain or antagonist of the story – because their sexual orientation made them that way. I didn’t like that. In my 40s, I started to review my accomplished bucket list of items and realized that writing had always been on there, but I hadn’t done anything about it. I started writing. But more importantly, I created worlds where the main characters were part of the LGBTQ+ world. I wanted people within my community to see that we could be the heroes. More importantly, I wanted the rest of the world to see that queer folk could be the heroes.