A Point of Pride: Interview with Arley Sorg

Arley Sorg is an associate agent at kt literary and co-Editor-in-Chief at Fantasy Magazine. He is an SFWA Solstice Award Recipient, a Space Cowboy Award Recipient, a two-time World Fantasy Award Finalist, a two-time Locus Award Finalist, and a finalist for two Ignyte Awards. Arley is also a senior editor at Locus, associate editor at both Lightspeed & Nightmare, a columnist for The Magazine of Fantasy and Science Fiction, and an interviewer for Clarkesworld. He is a guest critiquer for the current Odyssey Workshop and the week five instructor for this year's Clarion West Workshop. Arley is a 2014 Odyssey…

Celebrating Our Elders: Interview with Koji Suzuki

Koji Suzuki is a Japanese writer, who was born in Hamamatsu and lives in Tokyo. Suzuki is the author of the Ring novels, which have been adapted into other formats, including films, manga, TV series and video games.  Did you start out writing or working in the horror field, and if so why? If not, what were you writing initially and what compelled you to move into horror? My first novel Paradise was a love story in the South Pacific during the Age of Discovery (my second novel was Ring) and my third novel was also situated in the South…

Celebrating Our Elders: Interview with Lisa Tuttle

Lisa Tuttle, a Texan by birth, Scottish by inclination and residence, is the author of 13 novels and seven short story collections. Windhaven, written in collaboration with George R.R. Martin, was her first novel and his second and has been almost continuously in print since 1981. She’s also written non-fiction and books for children and worked as a journalist and library assistant. The Curious Affair of the Missing Mummies, the third in a series of 1890s-set, supernaturally tinged mysteries, is forthcoming from Jo Fletcher Books, as well as a new collection, Riding the Nightmare, is out from Valancourt this summer.…

Asian Heritage in Horror: Interview with Maria Dong

Maria Dong is the author of Liar, Dreamer, Thief. Her short fiction, articles, and poetry have been published in dozens of magazines, like the Best American Science Fiction and Fantasy, Lightspeed, Augur, Nightmare, Khoreo, Fantasy, Apex, and Apparition Literary Magazine. She is represented by Amy Bishop at Dystel, Goderich & Bourret. What inspired you to start writing? I was in a car accident about ten years ago, and while I was recovering I was in a house that did not have internet or cable. And I was really bored, and I was bed-bound, so I started writing stories to entertain…

Asian Heritage in Horror: Interview with Angela Liu

Angela Liu is a Chinese American writer from NYC. She studied East Asian Studies at New York University and researched mixed reality at Keio University’s Graduate School of Media Design in Japan, with a focus on new narrative platforms and tangible interfaces for remote communication. She now works in IT consulting and Japanese-to-English translation while raising a monster-obsessed toddler. Her stories and poetry are published/forthcoming in Strange Horizons, The Dark, Nightmare Magazine, Clarkesworld, Cast of Wonders, Fusion Fragment, and Dark Matter Magazine among others. Check out more of her work at liu-angela.com or find her on Twitter/Instagram: @liu_angela What inspired…

Asian Heritage in Horror: Interview with Ashley Deng

Ashley Deng is a Canadian-born Chinese-Jamaican author of dark fantasy and horror. She holds a BSc in biochemistry, specializing her studies toward making accessible the often-cryptic world of science and medicine. When not writing, she is a hobbyist medical/scientific illustrator and spends her spare time overthinking society and culture. Her work has appeared in Nightmare Magazine, Fireside Magazine, Augur Magazine, and others. Her climate horror novella, Dehiscent, is available August 2023 from Tenebrous Press. You can find her at ashedeng.ca or on various social media as @ashesandmochi and @baroqueintentions. What inspired you to start writing? I was a voracious reader…
And the Clock Strikes Midnight: Time and Timing in Terror, Part I

And the Clock Strikes Midnight: Time and Timing in Terror, Part I

Whether it’s the beeping of an alarm clock marking a night over too soon, a school buzzer announcing the start of a test period, or the chime of a grandfather clock in an old house declaring the start of the witching hour, there are lots of ways that time can provoke dread. So, when writers look no further than flashbacks and verb tenses, they miss out on timely tension opportunities. With a little attention towards the timing of the horrors in your story—pacing as well as narratively—you can save yourself time in revisions, time better spent dreaming up new nightmares…