Horror Writers Association Blog

Diverse Works incl. The Seers’ Table [ 90 ]

Diverse Works Inclusion Committee Mission Statement

To ensure the Horror Writers Association (HWA) includes the widest possible representation of those working in the horror/dark fantasy genre, the HWA has formed the Diverse Works Inclusion Committee. This committee is tasked with actively seeking writers and editors with diverse backgrounds. The committee has adopted the broadest definition of the word diversity to include gender, gender identity, race, ethnicity, and sexual orientation.

Committee members will employ a variety of methods—including but not limited to contacting publishers, authors, and/or agents; accessing resources such as Amazon, Publishers Weekly, Goodreads; maintaining awareness of new releases; polling the membership—to expand our members’ awareness. …

Latinx Horror: Interview with Estaban Reyes

E. Reyes is the author of the novel The House on Moon Creek Avenue, and the anthologies Devil’s Hill, Strange Tales of the Macabre, and The Halloween Grindhouse. His works are included in Pulp Harvest (edited by Nick Harper), Latinx Screams (edited by Cina Pelayo and V. Castro), and Trump: Utopia or Dystopia? (edited by JF Garrard and Jen Frankel). Reyes lives in the city Devil’s Hill is based on with his wife and three kids, keeping it spooky.

What inspired you to start writing?

I was inspired by the Goosebumps books by R.L. Stine. …

Happy Hispanic / Latinx Heritage Month!

Happy Hispanic / Latinx Heritage Month!

Latinx Heritage in Horror Intro by two-time Bram Stoker Awards® nominated poet and author Cynthia “Cina” Pelayo

This is a wonderful time to recognize the works and accomplishments of the diverse Latinx horror authors in our community. The horror writing community includes writers with heritage from various Latin American countries including Argentina, Brazil, Ecuador, Cuba, Dominican Republic, Mexico, Puerto Rico, Venezuela and more. Some of our horror writers were born and raised in their country of origin and many were born and raised in the United States, or elsewhere. All of our writers have completely unique and important stories to …

The Seers’ Table September 2021

Linda D. Addison, Member of the Diverse Works Inclusion Community

You can see any of The Seers’ Table posts since inception (March 2016) from the menu item “Diverse Works’ on the top of the HWA main page.

Tish Jackson introduces:

Megan Giddings is a serious writer. An MFA graduate of Indiana University, she has published several chapbooks (Arcade Seventeen and The Most Dangerous Game) and is a lover of peonies, with shorts appearing in The Offing. Megan is currently a senior features editor for The Rumpus and prior Executive Editor of SmokeLong Quarterly. She is a

The Seers’ Table August 2021

Linda D. Addison, Member of the Diverse Works Inclusion Community

You can see any of The Seers’ Table posts since inception (March 2016) from the menu item “Diverse Works” on the top of the HWA main page.

Linda Addison suggests:

Nicole Willson lives with her husband outside of Washington, DC; this does not mean she wants to talk U.S. politics with you. She has been a frequent visitor to small coastal towns located along the Eastern seaboard but has yet to see anything truly alarming emerge from those waters, much to her disappointment. She’s hopeful

The Seers’ Table July 2021

Kate Maruyama, Member of the Diverse Works Inclusion Community

Linda D. Addison introduces:

Brandon O’Brien is a writer, performance poet, teaching artist, and game designer from Trinidad and Tobago. His work has been shortlisted for the 2014 Alice Yard Prize for Art Writing, the 2014 and 2015 Small Axe Literary Competitions, and the inaugural Ignyte Award for Best Speculative Poetry. His work is published in Uncanny Magazine, Strange Horizons, Reckoning, and New Worlds, Old Ways: Speculative Tales from the Caribbean, among others. He is the former Poetry editor of FIYAH: A Magazine of Black Speculative Fiction

Michelle Renee Lane—Maafa Day Interview

Maafa Day is a Pan-African observance. It is a day of remembrance where we hold space for the millions of Africans who lost their lives due to the TransAtlantic slave trade. That includes those who died on slave ships while being forcibly transferred to the Americas, those who died during escape attempts, and those who died in captivity. Maafa comes from the Kiswahili (Swahili) term for “disaster, terrible occurrence or great tragedy”.and is used to refer to the African Holocaust. Maafa Day also serves the purpose of making sure that we never forget Maafa – the African Holocaust. This year …

A Point of Pride: Interview with Jacqueline Dyer

Jacqueline Dyre (they/them) is the editor and publisher of Novel Noctule, as well as a 2020 HWA Diversity Grant recipient. You can find them in the sunshine state, drinking poorly made coffee and consuming psychological horror in lieu of meals.

What inspired you to start publishing and editing?

When I founded Novel Noctule, I was recovering from acute myeloid leukemia and an allogeneic stem cell transplant. In my estimation, second chances are much better motivators than first chances: If you’re on your second chance, chances are that you’ve almost lost something, and you’re now being forced to consider …

A Point of Pride: Interview with Norman Prentiss

Norman Prentiss is the author of Odd Adventures with your Other Father, Life in a Haunted House, and The Apocalypse-a-Day Desk Calendar. He won a Bram Stoker Award for his first book, Invisible Fences. Other publications include The Book of Baby Names, Four Legs in the Morning, The Fleshless Man, The Halloween Children (with Brian James Freeman) and The Narrator (with Michael McBride), with story appearances in Dark Screams, Postscripts, Black Static, Four Halloweens, Blood Lite 3, Best Horror of the Year, The Year’s Best

A Point of Pride: Interview with Thommy Hutson

Thommy Hutson is an award-winning screenwriter, producer, director, and best-selling author. A graduate of UCLA, he has written or produced critically acclaimed film and television projects—horror, thriller, holiday, animation, and documentary—that have aired on Netflix, Hulu, Shudder, Hallmark, Lifetime, Syfy, Bio Channel, and more. His award-winning debut novel is the teen thriller Jinxed. A member of the Producers Guild of America, Horror Writers Association, and a Saturn and Home Media Magazine award-winner, Thommy is an aficionado of horror and teen movies from the ‘80s and ‘90s, as well as a lover of Christmas films. He continues to …

A Point of Pride: Interview with Elaine Cuyegkeng

Elaine Cuyegkeng is a Chinese Filipino writer. She grew up in Manila where there are many, many creaky old houses with ghosts inside them. She loves eldritch creatures both real and imaginary, ’80s pop stars, and caffeinated drinks with far too much sugar. She now lives in Melbourne with her partner, and their two small cat children. She has been published in the Bram Stoker winning anthology Black Cranes: Tales of Unquiet Women, Pseudopod, Strange Horizons, Lackington’s, The Dark, and Rocket Kapre. You can find her on @layangabi on Twitter and on Facebook.…

A Point of Pride: Interview with Kristen Arnett

Kristen Arnett is the author of With Teeth (Riverhead Books, 2021) and the NYT bestselling debut novel Mostly Dead Things (Tin House, 2019) which was a finalist for the Lambda Literary Award in fiction. She is a queer fiction and essay writer. She was awarded Ninth Letter’s Literary Award in Fiction, has been a columnist for Literary Hub, and was a Spring 2020 Shearing Fellow at Black Mountain Institute. Her work has appeared at The New York Times, The Cut, Oprah Magazine, North American Review, The Normal School

A Point of Pride: Interview with Daniel M. Lavery

Daniel M. Lavery is the author of Something That May Shock and Discredit You. He also writes The Chatner, a weekly newsletter about literature, humor, and pop culture.

What inspired you to start writing?
I really do think it’s as simple as I’ve always wanted to, and I’ve always enjoyed it.

What was it about the horror genre that drew you to it?
I think it might have been mass-market covers, honestly – I remember being really struck by the often really lurid covers for everything from Christopher Pike to Shirley Jackson when I was a kid browsing …

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