Horror Writers Association Blog

Posts byAlly Russell - Horror Writers Association Blog [ 5 ]

Ambiguously Ever After: Ending the Children’s Horror Story

Ambiguously Ever After: Ending the Children’s Horror Story

IMG_20160821_211336There’s much handwringing in publishing for children about what is “right” or “appropriate.” There are many controversial subjects and editorial choices, but today we’re talking about endings. Do endings in books for children need to be happy? Or should writers of children’s books portray a realistic version of the world where things don’t always end well?

Critics and authors have come down on both sides of the issue. When the 2014 Carnegie Award was given to The Bunker Diary, it set off a flurry of controversy in the UK and prompted an opinion piece for The Guardian in which

And the Clock Strikes Three AM: Time and Timing in Terror, the Sequel

And the Clock Strikes Three AM: Time and Timing in Terror, the Sequel

cpt_1470618694673Last month’s terror-time about time-and-terror was firmly grounded in reality—creating timetables that work inside the book (natural character reactions to stimuli and logical story flow) and inside the reader’s mind (pacing appropriate for the specific audience’s needs, and avoiding shattering suspension of disbelief through overuse of techniques that, when used sparingly, should enhance tension). Immersion was the name of the game, with an end goal of a truer feeling story and the horror that relating to it as true-ish brings.

But before you go off and wed your story to reality at the altar of believability, there’s another variable. Unless

And Now for Something Completely Different: Adding Humor to Your Horror

And Now for Something Completely Different: Adding Humor to Your Horror

20160716_231210With the popularity of dark comedies, it should be no surprise that horror and humor can be a compelling mix. However, when it comes to young adult books, few succeed at the balance that keeps a funny horror book from losing its edge or appearing to try too hard. Here are a few humorous elements used in YA horror to enhance the story, characters, or setting without sacrificing their horror-ness.


WORD PLAYS AND PUNS
Puns and other forms of wordplay can range from clever to groan-inducing, and they are a little of both in Croak by Gina Damico. In the

And the Clock Strikes Midnight: Time and Timing in Terror, Part I

And the Clock Strikes Midnight: Time and Timing in Terror, Part I

Time and Timing in TerrorWhether it’s the beeping of an alarm clock marking a night over too soon, a school buzzer announcing the start of a test period, or the chime of a grandfather clock in an old house declaring the start of the witching hour, there are lots of ways that time can provoke dread. So, when writers look no further than flashbacks and verb tenses, they miss out on timely tension opportunities.

With a little attention towards the timing of the horrors in your story—pacing as well as narratively—you can save yourself time in revisions, time better spent dreaming up new nightmares …

Scary Out There with Kaitlin Ward

Scary Out There with Kaitlin Ward

cpt_1464313112818

NOTE: Listeners, this was our first attempt at an audio interview. We know there is a slight echo and the background noise isn’t ideal, but bear with us as we creep into the world of audio interviews. Thanks for your understanding and patience!

Hello Horror Fanatics! Today Scary Out There is sitting down with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen as Kaitlin discusses how she came up with the idea for Bleeding Earth, why it’s important for children and teens to read horror, and more.

Kaitlin Ward grew up on a dairy farm in …

Social media & sharing icons powered by UltimatelySocial
Facebook
Facebook
YouTube
YouTube
Pinterest
LinkedIn
RSS